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 The idea of using the
internet as a gallery for one’s photographic work hardly seems original.
Go to any of the big search engines, type in the word ‘photographer’ and
you’ll be presented with a list of names that runs into hundreds, if not
thousands. Yet the concept still fascinates and appeals. Partly because it
is now possible to show your work to anyone, anywhere, without filtration
by the idiosyncratic taste or economic concerns of gallery owner or
publisher. And partly because photography stands at a significant
crossroads; the digital darkroom is now a serious contender in all fields,
and the internet itself a medium that might one day give even the
matte-cutters and framers a run for their money.


 I’m not a great believer in lengthy explanations of
creative work; if you have to talk about it a lot then there is surely
something lacking in the way that the images communicate. I prefer to
allow the photographs in each portfolio to speak for themselves, and for
the viewer to form their own impressions and opinions. Having said that, a
little anecdotal background has become an expected convention and I have
provided a short paragraph of introduction to each of the portfolios.


 Just as we talk too much about
photographs we often ask too much about the person who took them, and our
reaction to the work becomes subconsciously coloured by what we know of
the photographer. For those who would like to know about me, I was born
in 1953 and studied Graphic Design at art college before a circuitous
route eventually led me into the advertising world. My job brought
me to Asia in 1985 where I subsequently met my Singaporean wife and
jewellery designer
Julinda Chia Morgan.
In 1988 we moved to Hong Kong, then spent two years in Japan and two years
in Thailand before returning to Singapore in 1993 to start our own company.
Photography took a back seat between my art school days and 1990, when I
re-disovered my love for the black and white world and began to explore
Asia with my camera. The results of the last ten years or so are what you
see in these
portfolios.
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